Monday, June 9, 2008

Banshagopal chariot festival

World’s smallest chariot festival

BHAKTAPUR: The world’s smallest chariot festival of Banshagopal of Changunarayan temple in Bhaktapur was started at 9:00 pm on Friday March 21.

The chariot festival is celebrated on each Fagu Purnima night to the next day with religious fervor.

The chariot festival of the eight feet high artistic Banshagopal Chariot begins with religious ritual and worship as per tantrik rituals in the Changunarayan Temple, said main priest of the temple Chakradharananda Rajopadhya.

The Banshagopal (Krishna), Radha and Rukmini idols are taken to the locality in chariot from the temple and concludes in the same place after going through Balambu, Takhachhe and Dhokatol from Changunarayan along with playing of traditional instruments.

A large number of people participated in the chariot festival.

Although there is no proven evidence as to who built the Changunarayan temple which is regarded as the oldest of the four Narayanas in the Kathmandu valley, there are inscriptions of King Mandev having renovated the temple.

There are Kileswor, Astamatrika, Devi Rakteswori temples in the Changunarayan temple premises. The Banshagopal Chariot Festival which got the royal seal during the time of King Rana Bahadur Shah in 1950 BS was given eight ropanis of land, said Rajopadhaya. But the land is now disappeared and the chariot festival is very difficult to conduct, he complained.

Posted by Myself at 18:01:24 | Permalink | Comments (2)

Sunday, February 24, 2008

Swasthani - a month long observation

Thousands of devotees throng to the Sali Nadi - a river in the eastern part of Kathmandu, for the whole month of Magh in the then Lawanya desh, a Vedic land, which is known as Sankhu now, to take a holy dip and worship Goddess Swasthani.

The married womenfolk, clad in red attire, observe the month long fast and worship the Goddess Swasthani for the health, longitivity and prosperity of their husbands. The unmarried also observes this fast to have desired husband. The bathing and worshipping devotees crowd the riverside. Though this festival has more importance for womenfolk the males also take equal part in it.

The mother Goddess Swasthani has many aspects, but the one is to protect the world and its creatures. Goddess Swasthani is much more affiliated to be the wish fulfilling aspect, and human beings have innumerable wishes. Goddess Swasthani fulfils all the wishes of her devotees if she is worshipped and observed fast for the whole month.

“Goddess Swasthani resides on an octagonal Lotus. She has Khadga- a sword, trident - Trishul and a blue lotus in her hands. She has three eyes and four hands. She is beautifully ornamented and has golden complexion.” It is so described in Swasthani, an ancient Hindu scripture that is read and listened for this month long Swastahni Brata-fast.

The Magh Purnima - full moon day of Magh is celebrated as Swasthani Purnima, according to the tradition that begins on the Pous Sukla Purnima - the Full moon day of Pous.

Mata Parvati - the daughter of Himalaya Parvatraj first observed a month long fast and worshipped Goddess Swasthani to have Lord Mahadev as her husband as suggested by Lord Vishnu. When her desire was fulfilled Mata Parvati ordered divine saints to travel to Swarga- the upper universe, Martya - the world and Patal - the lower universe to spread the divine glory of such wish- fulfilling Goddess. Thenceforth the tradition of month long glorious Swasthani-story listening and fasting started.

The story gives the complete account of the birth of this universe, the creation of all the creatures and everlasting quarrel between the Gods and demons, metaphorical representation of good and bad, right and wrong. The story also gives the idea of time and space, the difference between the celestial time and rational time.

The story starts from the question of a saint Agasthya to Kumar - a son of Lord Shiva. In reply Kumar gives the discourse to Rishi - “Oh! Agastya Rishi - the never satisfying saint, Listen I’ll preach you the story of Shree Swasthani, the wish-fulfilling mother Goddess ………….

The story continues with the story of Lord Shiva and Mata Parvati, how Parvati observed a month long fast and blessed by the Goddess to fulfill her wishes. The story gives a brief account of Goma Brahmani and her son Navraj. How Goma suffered from the curse of Lord Shiva and after observing Swasthani- fast and worshipping her, her son, Navraj, was booned to become King of Lawanya Desh. Besides that the story of Chandrawati - wife of Navraj and her sufferings, due to the disrespect of Goddess Swasthani and how she was again pardoned by the kind Goddess after observing a month long fast, is also described.

Posted by Myself at 05:22:19 | Permalink | Comments (3)

Monday, February 11, 2008

Saraswati Puja

  • Kuber Chalise

Saraswati maya dristwa Vina Pustak Dharani,
Hansa Wahan Samyukta Vidya-danam Karo tu me,

“I saw the Mother Goddess- Saraswati, who rides on swan, has four arms; representing Manas- the mind, Buddhi- the intellect, Chitta- consciousness and Ahankara- the ego. She holds Vina – her favourate musical instrument, a book and a rosary. She is the embodiment of pure knowledge.
Oh Mother! Please bestow me the knowledge and wisdom.”


According to the Lunar calendar, Magh sukla panchami, the fifth day of the bright half of Magh, is celebrated as the Saraswati Puja by all the Hindus the world over.

Who is Goddess Sawarawati?

Purush or Parabrahma the eternal male factor and Prakriti – the universal feminine energy has created this Universe- the Brahmanda. To help the male benevolent factor in the process of creation, preservation and destruction – the Prakriti incarnated herself in three forms –Mahasaraswati, Mahalaxmi and Mahakali. Among them the first form Mahasaraswati, the omnipresence and omnipotence, is the symbol of creation, knowledge, music and fine- arts. She is the supreme reality and symbolises supreme knowledge. Thus Saraswati is the Goddess of learning, knowledge, wisdom the consciousness.

The day marks the change in season also; the spring – Basant starts from this day. From this day onwards the days are longer. All the creatures suffering from the cold in winter slowly crawl outside in the warmth of spring sun. The winter stricken trees sprout new leaves and the nature is once again lively.

According to the Bhabisya Purana - an ancient Hindu scripture, in ancient times this day was also celebrated as Basanta-Utsav by worshipping Kamadev and his consort Rati- the divine couple created by Brahma – the creator, to inspire all the living beings for creation. But once Kamdev tried to seduce Lord Shiva, the Lord of all Lords and the Lord being angry destroyed his body. Thenceforth Kamdev and Rati inspire all the beings incorporeally in Basant – spring season.

The aristocrat ladies used to celebrate Basant-Utsav by worshipping –the statue of Kamdev and Rati as Nritya-Gosthi and Pan-Gosthi, –throwing colours and scents, singing songs and dancing. The modern society has lost the charm of those ancient Madanotsav, Kaumudi-Mahotsav and Salabhanjhi-Mahotsav.

In Kathmandu , Saraswati Puja had more significance because this day, the famous Basantapur Durbar was inaugurated and in the courtyard, Nasalchowk, the King used to audition the special Basant Shrawan ceremony. The tradition existed till last year. The King used to oversee a ceremony in Nasal Chowk, in the presence of the royal courtiers, bureaucrats and the Nepal army. The royal priest recites the selected verses from the Sanskrit Book Geet-Govinda-Kabya written by a Sanskrit poet Jayadev in Basant Raag, describing the Raslila between Lord Krishna and his Gopinis. Then the court’s musicians sing hymns. This day onwards Basant Raag can be heard in every ward of Kathmandu .

The students on this day visit different Saraswati temples in the valley. The Saraswati temple at Swayambhu, Nil Saraswati at Lazimpat and Lele Saraswati in Lalitpur are the most famous temples students visit on this day in Kathmandu .

The Buddhists in Kathmandu celebrate this day as the day of arrival of Maha Manjushree in Kathamandu. Hindus worship the Saraswati of Boudhanath and the Saraswsati of Swayambhu as Goddess Saraswati and the Buddhists worship the same idol as Mahamanjushree, a typical religious harmony found only in Nepal among the Hindus and the Buddhists. Thus Saraswati Puja also symbolises the deep-rooted unity in diversity of Nepalese culture.

Posted by Myself at 10:54:15 | Permalink | Comments (2)

Sunday, December 30, 2007

Lhosar

Gurung community, the people of ethnic in Nepal celebrate the Lhosar — the New Year on Sunday.

The government has announced a public holiday today, for the first time in the country’s history, to celebrate one of the greatest festivals of the Gurung community.

The Gurung communities across the country are celebrating the Lhosar with great fervor. Gurungs are found mainly in the districts such as Kaski, Lamjung, Mustang, Manang, Gorkha, Parbat and Syangja. They are also found in various parts of the country and in India.
The Gurung have their own language, which is called ‘Tamukwi’, which belongs to the Khamer Tibeto-Burman language group.

Posted by Myself at 11:41:11 | Permalink | Comments (2)

Id-ul-Zuha

Id-ul-Zuha was celebrated on December 28.
The festival commemorates the spirit of supreme sacrifice of Prophet Hazrat Ibrahim. The selfless sacrifice is an inspiring example of subordinating self-interest to the greater good of humanity. Such festival of sacrifice would strengthen cultural bonds and usher in joy and prosperity for all.

Id-ul-Zuha, being is celebrated on Friday, commemorating the sacrifice of Prophet Ibrahim, who willingly agreed to kill his son at the behest of god.
This festival coincides with the Haj pilgrimage in Makkah.

Posted by Myself at 11:32:20 | Permalink | Comments (2)

Friday, November 16, 2007

Kartik Nachh

The Kartik Nachh, a historical dance performed in the month of Kartik for about eight days is performed here in the Patan durbar Square, Lalitpur. The dance was started around 365 years ago by the then Malla king of Patan, Siddhi Narasingh Malla.
The dance-festival was started for peace and the prosperity for the people and the Nation. In those days Kathmandu , Lalitpur and Bhaktapur were the separate kingdoms.
Siddhi Narasingh Malla, the king in those days felt somewhat the people of his country not bright enough in comaprision to the Kathmanduites. King Siddhi Narasingh Malla was of religious nature and staunch devotee of Lord Krishna. So, he consulted the soothsayers and tantrik-priests. After careful observation they concluded that the city of Lalitpur was cursed. The solution to this problem, they suggested to the king Siddhi Nara Singh Malla, was to sacrifice a human.
The sacrifice was then inacted as Hiranya Kashyap badha - the killing of demon king by God Narashing - an incarnation of Lord Vishnu. The killing used to be the real ritual and it couldnot be enacted for long as people started fearing to take part in the dance as a Hiranya Kashyap. To become Hiranya Kashyap meant to except death. Thus, after a decade when nobody wanted to take part in the dance by fearing death, the tantriks, through their tantrums started giving life to the actor who became Hiranya Kashyap and dies on the hands of Narashing. The practice continues till date as death ritual of the actor enacting Hiranya Kashyap is performed as if he were really dead after the badha. He then is again, brought to life with the help of Tantriks and they performe all the rituals as if he were a newly born-baby.
The seven days dance, started thus to sacrifice a human being, by Siddhi Narasingh Malla was later extended to 15 days by his son Srinivas Malla and then to one month by Yognarendra Malla, the latter’s son. Thus the three-generation of Siddhi Narashing Malla has contributed in this dance festival with added plays.
Srinivas Malla added eight more days of play, locally known as Batha, for the sake of entertainment to the public as there used to be no entertainment for the public in those days.
The dance comprises of social Bathas, the plays like labya layagu – the finding of the boyfriend of one’s wife, Kaula Khicha - cheating a wise man by the cons, Satiwanigu and the puranic plays like Madhukaitav Badha - the killing of Demons Madhu and Kaitav by the lord Vishnu, and Hiranya Kashyap Badha - the killing of demon king by God Narashing - an incarnation of Lord Vishnu.
The final two days of the dance festival is important and are performed on Kartik Sukla Dwadashi and Thrayodashi - the twelfth and the thirteenth day of bright half of Kartik, according to the lunar calendar.
The one month dance festival continued till the year 2006 BS but in the year 2007 BS due to various regions the tradition couldnot be continued. From 2008 BS to 2037 BS, the one minth dance was reduced to only two days for the final days as these were the important days of the dance.
From 2038 BS till 2058 BS the dance festival took place for eight days and in 2059 BS it was performed only for the four days. The dance festival is a unique in a sense that not all the dance performed here are mask dance, they is a mix of mask dance and non mask dance also.
The three cahrecter are important; Gan Daju - a clever man from Kathmandu , Sama Daju - a man form Bhaktapur and Batha Kija - a man from lalitpur. These characters represent the normal human beings but represent the three eternal periods, past present and the future. The are the metaphorical representation of Brahma, Mahesahwor and the Vishnu also, it is said.

The music plays important role in the  whole dance process. The musical instruments are Khie, Jhyali and Ponga.

Posted by Myself at 06:28:08 | Permalink | Comments (1) »

Sama chakewa

Sama Chakewa festival, symbolizing the love between brothers and sisters in the Maithil society, begins on fifth day of the bright half of the Kartik, according to the lunar calendar.
The festival is celebrated from Panchami – the fifth day, to Purnima – the full moon day or the fifteenth day, in the month of Kartik, wishing for long life and happiness of brothers.

Sama Chakewa idols are made of clay and the festival is also regarded as the medium to exhibit the art of sculpting of the Maithil women.

Posted by Myself at 06:22:47 | Permalink | Comments (1) »

Chhath: Worshipping of Sun

The oldest Egyptian and the Babylonian civilisation used to worship the sun, the savior of the life on earth. The rays of the sun and warmth started the plant and animal life on earth.
From the stone, age all the ancient civilisations are known to worship the nature: fire, water, tree and mountain and so did the Vedic Sagas.
The Vedic Aryans also believe in the power of sun. The Veda has given different names to Sun like Diwakar, Bhaskar, Ravi etc. The rising and the setting of sun must have fascinated the human civilasition and thus both the occasion is considered holy. The rising sun represents life and the setting sun represents death, but both are the ultimate truth of life.
Sun is especially needed for the life on this planet and their growth. So, the worshipping of rising sun represents the worship of life on earth and ensures life, longevity and health.
Thus, the extraordinary vitality and power of the sun might have provoked ancient sagas and the Vedic Aryans also worshipped sun as soul and the central planet to all nine planets.

The sun represented the power of justice in the Sumerian civilisation. But in Nepal especially in the Terai region, the sixth day of bright half of Kartik, Kartik Sukla Sasthi is celebrated as Chhat worshipping sun.

In some parts of India and even in plains of Nepal people worship sun as a god and fast for the health of one’s son.
The mother’s observing fast offer Argha, water to the sun wishing for the healthy life for the child. The worship takes place at the bank of river or the pond. Pond or the river represents the water element and the sun represents the fire element. The philosophy behind this seems is to balance the fire element and the water element for the life.
The songs and dances are the part of Hindu rituals and Chhat is no exception to that. The women enjoy the ritual with different songs while keeping vigil throughout the night on the sixth day.
On the seventh day devotees throng the riverbank, worship and offer Argha to the sun before the sunrise. These two days are the most important days of the six-day celebration of Chhat. With the changing time, most of the people celebrate only these two days.
Devotees offer bananas, sugar cane, Dhekuwa, a sweet made of flour and is hard and Kasar, a sweet like small balls made of flour to the sun god.
The Greeks myths have called Sun helious. The ancient drawing depicting sun can be seen in the altamira cave of northern Spain and in the Lasko cave of southern France . Not only in Europe but also in Karnatak the tradition of sun worshipping existed.
In the beginnig sun was the only god and friend of the human civilisations. But scientifically also, the sun represents creation.
According to the Veda, Shambha, a son of Lord Shree Krishna started the worshipping of sun. He called the Maga, an ancient tribal Brahmins of the Sakadwip, island and told them to worship the sun for their prosperity.
The significance of the festival can be acknowledged by the fact that it is the only festival also celebrated by Muslim communities in the region.
Similarly, the devotees are also seen celebrating Chhath in the major river banks and at the Ranipokhari in Kathmandu .
The devotees also observe a day-long fast. This festival is considered a symbol of cleanliness, devotion and cordial relationship and goodwill among people.
According to other scripture, the celebration is believed to have begun from the time of Dwapar Yuga (era), when the five Pandavs, while in exile in the forests, had worshipped the sun, asking for victory in the Mahabharat war.
Singing folk and devotional songs and offering prayers to the sun god also marks the day. The third day is especially significant for married women as they observe a two-day fast and offer prayers while keeping almost three-quarters of their body immersed in water for two hours.
The fourth day of the festival is called Paran or Parwan. The first day of the festival is called Arba Arbain or Nahan Khan. The second day is called the Kharana (meaning the reduction of sin).

Posted by Myself at 06:13:24 | Permalink | Comments (1) »

Sunday, September 16, 2007

TEEJ

Teej, observed by Hindu women folk, is celebrated on the third day of the waxing moon of Bhadra, Hasta Nachhatra, according to the lunar calendar.

Women in red attire, red bangles and red tika on the forehead are seen visiting the various Shiva temples in their locality. The most popular among them is the Pashupati Nath temple.

Hindu scriptures has it that those married women who fast on this day will be blessed for their husband’s longevity, good health and the strong marital bond where as unmarried will find suitable husband. According to Purana, Hindu scripture, Goddess Parvita fasted and kept vigil throughout this night and worshipped the Lord to have him as her husband and she was blessed accordingly.

Thenceforth, the celebration of Teej started. Nepali women due to the geographical inaccessibility in past times could not visit their parents frequently. Thus, this is a day for the marrieds in year when they visit their parents and reunite with their other siblings and friends. The reunion is marked with songs and dances.

The night before Teej is widely known as Dar khane Din in local term. The womenfolk prepare various delicacies and eat the whole night because on the Teej day they won’t take a morsel. The legend has it that on this day one who fast should not drink a drop of water either. But with changing times such unpractical traditions are changing slowly. Singing and dancing ladies then visit Shiva temples in their localities in groups.

Kathmanduites specially visit Pashupatinath temple on this day. Teej or Haritalika, is considered a necessary ritual in Hindu society, especially Shaibaities (women) must observe this. There is no such obligation for the sick, old and pregnant. If a wife cannot fast and worship the Lord then the husband has to do so, the Hindu scriptures say. Our traditions are falsified in the passing of times and given wrong interpretation by some pundits. Thus today they may seem discriminatory. But accoeding to the Hindu scriptures, men and women share equal responsibility in a family.

The fourth day of Bhadra is called Ganesh Chauthi. According to the Skanda Puran, on this day Lord Ganesh was born. “Those, men and women, who fast and worship Lord Ganesh on this day are blessed with the uninterrupted from all the chaos of life.”

The fifth day is called Rishi Panchami. On the Rishi panchami day women folk pay homage to the Sapta Rishis - the seven sagas.

Posted by Myself at 18:22:18 | Permalink | Comments (1) »

Wednesday, September 12, 2007

Father’s Day: A day to honour father

Hindus celebrate the new moon day of Bhadra as Father’s Day in the honour of living as well as deceased fathers. Vedic philosophy has long idolised father, mother and teacher as living deity.

Mother — Prakriti is the universal icon for feminine energy and father —Purusha is the eternal male principle.

The day is also celebrated for the holy grass Kush — important for every Hindu ritual. On this day Brahmin priests distribute Kush . So the day is also observed as Kushe Aunsi.

Hindu rituals are considered incomplete without Kush grass, state the scriptures. Only on this day Brahmins distribute Kush as on the other days it is prohibited to do so.  The family priests in return get Dakshin — fees and Sida — some grains

The origin of Kush is related to a demon King, Jalandar who defeated the Gods to rule over the whole universe. Brinda, his faithful wife was the source of his strength and it was because of her he was undefeatable. Lord Vishnu laid a trick for Brinda to defeat Jalandhar. She, when found that Vishnu cheated her cursed him to become a stone, a tree, a grass and shrub. Thus Saligram - a holy stone, Pipal - a holy tree, Kush - a holy grass and Tulsi - a holy shrub is considered as Lord Vishnu and worshipped. On Father’s day, Babuko Mukh Herne Din, as it is literally known in Nepali, children offer their father sweets and present to show their gratitude.

Those who have lost their father pay tribute to the deceased on this Aunshi -the new moon by taking holy bath in the Bagmati River and performing purification rites at Gokarneshwor Mahadav, a shrine near Kathmandu, on the banks of river Bagmati.

Nepal Mahatmya describes Gokarneshwor Mahadav as one of the shrine of Lord Mahadev. Nepal Mahatmya also states that once when Lord Shiva was bored in Kailash – his holy abode in the Himalayas , he wanted to roam around freely.  He came to Mrigasthali in Shleshmantak Ban – a forest near Pashupatinath Temple. There he started to enjoy his life freely as a deer.

For a long time, when Gods could not find the Lord, they were worried and started his search. Brahma, Vishnu and Indra were sent to search for the Lord by the gods.

The Gods after searching the whole universe came to the Shlesmantak Ban where to there surprise they saw the Lord enjoying his freedom as a deer.

They prayed to the Lord and asked to return to Kailash. But the Lord, who was in no mood to return, did not pay any attention to them. So, they decided to catch the Lord – the deer and caught his horn. All of a sudden the Lord disappeared and only the three broken pieces of his deer horn remained in their hand.

Lord Shiva then told them to establish those three pieces of horn in his remembrance: in three places. Indra installed his piece in Swarge — the heaven, Lord Vishnu in Patal — the lower planets and Lord Brahma in Martya — the earth at Gokarna as Gokarneshwor Mahadav.

The people till today visit this temple, where according to the scriptures, once Ravana also prayed the almighty and pleased him.

Gokarneshwor Mahadav is one of the oldest and historical temple of Nepal.    

Posted by Myself at 17:03:49 | Permalink | Comments (1) »