Sunday, December 30, 2007

Id-ul-Zuha

Id-ul-Zuha was celebrated on December 28.
The festival commemorates the spirit of supreme sacrifice of Prophet Hazrat Ibrahim. The selfless sacrifice is an inspiring example of subordinating self-interest to the greater good of humanity. Such festival of sacrifice would strengthen cultural bonds and usher in joy and prosperity for all.

Id-ul-Zuha, being is celebrated on Friday, commemorating the sacrifice of Prophet Ibrahim, who willingly agreed to kill his son at the behest of god.
This festival coincides with the Haj pilgrimage in Makkah.

Posted by Myself in 11:32:20 | Permalink | Comments (2)

Memoirs of a Doctor

My 2 Innings, a memoir of a paediatrician-cum-author who writes under a pen name Mani Dixit, has some pleasant and some not so pleasant memories over the years from his life.

Dixit takes us back to the Nepal of 40s and 50s that is more pleasant and forth, the stark realities of present that is not so pleasant. However, My 2 Innings is a pleasant read because it not only tells us about the author and his growing years in serene Kathmandu, but also gives us the vivid picture of the then Kathmandu, its people and practises.

The septuagenarian author, in his book, recalls his childhood and planting of a copper coin so that it will grow into a money plant one day; the then Kathmandu and the snow fall in Kathmandu, a rare phenomenon that has again occurred after 62 years on February 7 this year. He also recalls many of his friends, seniors and juniors like Pashupati SJB Rana and Ruskin Bond during his school days.

The author, who gave life to many as a practising doctor, survived a murder attempt on himself in Kathmandu, the capital city in 2006. The readers will definitely be compelled to ask, after going through the last chapters, why were KMC — a professional organisation and its board members hunted and what was their fault. Though sad these chapters tell us a lot about our corrupt system and its ineffectiveness that is counting its last days. It should be an eye-opener for the state mechanism, if it wants to boost its citizens’ confidence.

The book also has some of the rare pictures like snow-covered lawns of Singh Durbar some 62 years back, car being brought to Kathmandu in the forties and many more.

It seems that the author in his second innings will score a century.

IN SET

Book: My 2 Innings

Author: Dr Hemang Dixit

Publisher: Makalu Publication House

Pages: 169

Price: Rs 150

Posted by Myself in 11:20:35 | Permalink | Comments (2)

Wednesday, December 19, 2007

Bibaha Panchami

Hindu scripture are sources of inspiration for the mankind. Be it Ramkatha or Krishnacharitra, the Lord has always praised the human life when born on earth as an incarnation to defeat the evil. They have followed the worldly rituals and the customary tradition either to prove the superiority of human life or to give the message of obedience dutifulness and importance of kinship that shows humanity,which has some beautiful aspects in life.
There are stories about marriage of gods and goddess and their marriages have symbolic and cosmic meanings. Such is the heavenly marriage between Ram and Sita on this day widely known as the Bibaha Panchami among the Hindus.
Among all the incarnations described in the Hindu Scriptures, the incarnation of Lord Vishnu, in Treta Yuga as Ram, the son of King Dasharatha and Queen Kaushalya Of Ayodhya, now a small province in India, is more like the Kings of those days. Ram, among all the incarnations of Vishnu, is more earthly than heavenly. He is described as a dutiful and obedient son, loving brother and a noble king, who ruled the people according to their wish. Ramarajya is still considered the wisest and the democratic rule of those days. The great sages like Balmiki and Bishwamitra have praised his kingship and his love for people.
According to the Ramayana, a holy scripture written by the great sage Balmike, on the fifth day of the bright half of Mangisir known as sukla panchami according to the lunar calander, Lord Ram Chandra was married to Sita the incarnation of Godess Laxmi, born as a daughter of King Janak the king of Mithila that now is the famous Janakpur in Nepal.
Bibaha Panchami is celebrated to memorize ceremony of Lord Ram with Sita though the ceremony took place Hindu devotees celebrate this day visiting the nerest Sitasram temple.
Dasrath, the king of ayodhya had no children and to have an heir to his throne he performed many yagyas. At last he was blessed with four sons namely Ram, Laxman, Satrughan and Bharat.
King Janak while ploughing the fild to inaugurate the harvesting season in Mithila found a girl – child and named her sita . When Sita was grown up, King Janak invited all noble and brave kings for swoyambara, a ceremony in which the girl chooses her idea husband as per tradition in those days.
The fomous and the most powerful kings from different kingdoms arrived for the event. King Janak had a Shiva Dhanu – a bow given to him by Lord Shiva. He announced that the king who would be able to lift the Shiva Dhanu will be his son-in-law. All the Kings present at the ceremony agreed to it. But nobody could lift the Shiva dhanu.
Ram and Laxman with their guru Bishwamitra were their also present on the occasion. By the order of his Guru, Ram lifted the bow. King Janak and his court were pleased and as promised by King Janak, Ram married Sita on the fifth day of Mangsir – sulka panchami. To commemorate the day, in the Mithila region or presest day Janakpurdham, Bibaha Panchami is celebrated with great pomp and honour.
Janakpur being the birth place of Sita honours its daughter by marking this day with a special ceremony. Devotees from various parts of Nepal and India gather at Janakpur to celebrate the day. The fomous Ram and Janaki temples here are decoprated and from the morning Ram bhaktas - the  devotees throng these temples.
On this day the chariot of Sitaram is pulled through the streets of Barabigha ground, Gangasagar and Jhulaghar, the sacred shrines in Janakpur, which follows a huge procession of devotees. Before the procession a sacred performance called Matkor is also performed at the holy pond of Matihani.
Thus the marriage anniversary of Lord Ram and Sita is celebrated as Bibaha Panchami.
Hindus celebratre each and every occasion of their life and give the religious meaning to it. Bibaha Panchami is one among them.
Posted by Myself in 10:38:07 | Permalink | Comments (1) »

Bala Chturdashi: A day to remember dead ones

The fourteenth night of the dark half of Mangsir, Chaturdashi is celebrated as Bala Chaturdashi. On this day devotees visit Pashupatinath — the Lord of the animals — temple and worship him. In the night they keep vigil. Satbeej, the purified mixture of hundred different grains like maize, paddy is scattered.
Devotees throng to the different Shiva temples throughout the country on this day like Gupteshwor Mahadev of Panchthar, Haleshi Mahadev of Khotang, Narmadeshwor Mahadev of Okhaldunga, Dolakha Mahadev of Dolakha and Galeshwor Mahadev of Myagdi to scatter .
Those, whose relatives have died a years before perform Hom - a sacrificial worship to the fire God - for the peaceful departure of the dead ones.
In Kathmandu devotees throng Kailash, by the side of Pashupatinath temple, Budhanilkantha, Swoyambhu and Nagarjun hill and keep vigil throughout the night lighting the oil-lamp in the memory of the dead ones.
Nepal Mahatmya describes Gokarneshwor Mahadav as one of the shrine of Lord Mahadev. It states that once Lord Shiva got bored in the companionship of his regular battalion of ghosts and spirits in Kailash – his holy abode in the Himalayas, he wanted to roam around freely. He even wanted to decieve Parvati, his consort. So, he came to Mrigasthali in Shleshmantak Ban – a forest near Pashupatinath Temple. There he enjoyed his free life as a deer.
For a long time, when Gods could not find the Lord they were worried and set to find him. Gods sent Brahma, Vishnu and Indra to search for the Lord.
The Gods after searching the whole universe came to the Shlesmantak Ban where to there utter surprise they saw the Lord enjoying his freedom as a deer.
They prayed to the Lord and asked to return to Kailash. But the Lord, who in no mood to return did not pay any attention to them. So, instead they decided to catch the Lord – the deer and caught his horn.
All of a sudden the Lord disappeared and only the three broken pieces of his Deer horn remained in their hand. Lord Shiva then told them to establish those three pieces of horn in his remembrance: in three places. Indra installed his piece in Swarge - the heaven, Lord Vishnu in Patal -the lower planets and Lord Brahma in Martya - the earth at Gokarna as Gokarneshwor Mahadav.
The people till today visit this temple, where according to the scriptures, once Ravana also prayed the almighty and pleased him.
Posted by Myself in 10:22:34 | Permalink | Comments (1) »

Tuesday, December 4, 2007

Sangraula’s memoirs

Samjhanaka Kuenetaharu is a collection of memoirs — of Khagendra Sangraula, one of the most read columnists — which are written in different time and spaced during the last decade.

In the book, a reader can encounter different people — from Bhawani Ghimire to Basant Thapa to Nirmal Lama to even earlier British envoy Bloomfield, to contemporary literary figures. Some of them are the author’s teachers, some are his friends, philosophers and guides, and yet others are the common characters from among us. But they are not redundant as the readers get to know them more, of course from the author’s eye. In some of his memoirs, the central character is even a radio, a cap or a telephone. But they are some of the metaphors of his life and our society at present.

There are 26 memoirs in Samjhanaka Kuenetaharu that helps us peep into not only the author’s life but also into the time he has lived and we have lived as well. A lot of people love him and equal number of people hate him, at the same time. The reason: his aggressive writing style. “He is a daring writer,” Narayan Wagle, writes of him. But sometimes, somewhere he seems childish in arguments, not daring rather a stubborn child. But it’s a difficult thing to be a child also. That’s why his literary work is the most controversial and at the same time contemporary.

As it happens though rarely, memoirs are always not true and authors are famous for lying to the readers. But his love-hate relationship with Nirmal Lama, honour and respect for Bhawani Ghimire seem true to his heart.

In many ways, Samjhanaka Kuenetaharu is a collection of contemporary essays that brings some rich and some poor memoirs of the author’s life. In many ways the essays seem familiar, at least to the readers of his column.

=============

Book: Samjhanaka Kuenetaharu

Author: Khagendra Sangraula

Publisher: FinePrint

Price: Rs 250

Pages: 209

Posted by Myself in 04:04:24 | Permalink | Comments (1) »

Friday, November 16, 2007

Kartik Nachh

The Kartik Nachh, a historical dance performed in the month of Kartik for about eight days is performed here in the Patan durbar Square, Lalitpur. The dance was started around 365 years ago by the then Malla king of Patan, Siddhi Narasingh Malla.
The dance-festival was started for peace and the prosperity for the people and the Nation. In those days Kathmandu , Lalitpur and Bhaktapur were the separate kingdoms.
Siddhi Narasingh Malla, the king in those days felt somewhat the people of his country not bright enough in comaprision to the Kathmanduites. King Siddhi Narasingh Malla was of religious nature and staunch devotee of Lord Krishna. So, he consulted the soothsayers and tantrik-priests. After careful observation they concluded that the city of Lalitpur was cursed. The solution to this problem, they suggested to the king Siddhi Nara Singh Malla, was to sacrifice a human.
The sacrifice was then inacted as Hiranya Kashyap badha - the killing of demon king by God Narashing - an incarnation of Lord Vishnu. The killing used to be the real ritual and it couldnot be enacted for long as people started fearing to take part in the dance as a Hiranya Kashyap. To become Hiranya Kashyap meant to except death. Thus, after a decade when nobody wanted to take part in the dance by fearing death, the tantriks, through their tantrums started giving life to the actor who became Hiranya Kashyap and dies on the hands of Narashing. The practice continues till date as death ritual of the actor enacting Hiranya Kashyap is performed as if he were really dead after the badha. He then is again, brought to life with the help of Tantriks and they performe all the rituals as if he were a newly born-baby.
The seven days dance, started thus to sacrifice a human being, by Siddhi Narasingh Malla was later extended to 15 days by his son Srinivas Malla and then to one month by Yognarendra Malla, the latter’s son. Thus the three-generation of Siddhi Narashing Malla has contributed in this dance festival with added plays.
Srinivas Malla added eight more days of play, locally known as Batha, for the sake of entertainment to the public as there used to be no entertainment for the public in those days.
The dance comprises of social Bathas, the plays like labya layagu – the finding of the boyfriend of one’s wife, Kaula Khicha - cheating a wise man by the cons, Satiwanigu and the puranic plays like Madhukaitav Badha - the killing of Demons Madhu and Kaitav by the lord Vishnu, and Hiranya Kashyap Badha - the killing of demon king by God Narashing - an incarnation of Lord Vishnu.
The final two days of the dance festival is important and are performed on Kartik Sukla Dwadashi and Thrayodashi - the twelfth and the thirteenth day of bright half of Kartik, according to the lunar calendar.
The one month dance festival continued till the year 2006 BS but in the year 2007 BS due to various regions the tradition couldnot be continued. From 2008 BS to 2037 BS, the one minth dance was reduced to only two days for the final days as these were the important days of the dance.
From 2038 BS till 2058 BS the dance festival took place for eight days and in 2059 BS it was performed only for the four days. The dance festival is a unique in a sense that not all the dance performed here are mask dance, they is a mix of mask dance and non mask dance also.
The three cahrecter are important; Gan Daju - a clever man from Kathmandu , Sama Daju - a man form Bhaktapur and Batha Kija - a man from lalitpur. These characters represent the normal human beings but represent the three eternal periods, past present and the future. The are the metaphorical representation of Brahma, Mahesahwor and the Vishnu also, it is said.

The music plays important role in the  whole dance process. The musical instruments are Khie, Jhyali and Ponga.

Posted by Myself in 06:28:08 | Permalink | Comments (1) »

Sama chakewa

Sama Chakewa festival, symbolizing the love between brothers and sisters in the Maithil society, begins on fifth day of the bright half of the Kartik, according to the lunar calendar.
The festival is celebrated from Panchami – the fifth day, to Purnima – the full moon day or the fifteenth day, in the month of Kartik, wishing for long life and happiness of brothers.

Sama Chakewa idols are made of clay and the festival is also regarded as the medium to exhibit the art of sculpting of the Maithil women.

Posted by Myself in 06:22:47 | Permalink | Comments (1) »

Chhath: Worshipping of Sun

The oldest Egyptian and the Babylonian civilisation used to worship the sun, the savior of the life on earth. The rays of the sun and warmth started the plant and animal life on earth.
From the stone, age all the ancient civilisations are known to worship the nature: fire, water, tree and mountain and so did the Vedic Sagas.
The Vedic Aryans also believe in the power of sun. The Veda has given different names to Sun like Diwakar, Bhaskar, Ravi etc. The rising and the setting of sun must have fascinated the human civilasition and thus both the occasion is considered holy. The rising sun represents life and the setting sun represents death, but both are the ultimate truth of life.
Sun is especially needed for the life on this planet and their growth. So, the worshipping of rising sun represents the worship of life on earth and ensures life, longevity and health.
Thus, the extraordinary vitality and power of the sun might have provoked ancient sagas and the Vedic Aryans also worshipped sun as soul and the central planet to all nine planets.

The sun represented the power of justice in the Sumerian civilisation. But in Nepal especially in the Terai region, the sixth day of bright half of Kartik, Kartik Sukla Sasthi is celebrated as Chhat worshipping sun.

In some parts of India and even in plains of Nepal people worship sun as a god and fast for the health of one’s son.
The mother’s observing fast offer Argha, water to the sun wishing for the healthy life for the child. The worship takes place at the bank of river or the pond. Pond or the river represents the water element and the sun represents the fire element. The philosophy behind this seems is to balance the fire element and the water element for the life.
The songs and dances are the part of Hindu rituals and Chhat is no exception to that. The women enjoy the ritual with different songs while keeping vigil throughout the night on the sixth day.
On the seventh day devotees throng the riverbank, worship and offer Argha to the sun before the sunrise. These two days are the most important days of the six-day celebration of Chhat. With the changing time, most of the people celebrate only these two days.
Devotees offer bananas, sugar cane, Dhekuwa, a sweet made of flour and is hard and Kasar, a sweet like small balls made of flour to the sun god.
The Greeks myths have called Sun helious. The ancient drawing depicting sun can be seen in the altamira cave of northern Spain and in the Lasko cave of southern France . Not only in Europe but also in Karnatak the tradition of sun worshipping existed.
In the beginnig sun was the only god and friend of the human civilisations. But scientifically also, the sun represents creation.
According to the Veda, Shambha, a son of Lord Shree Krishna started the worshipping of sun. He called the Maga, an ancient tribal Brahmins of the Sakadwip, island and told them to worship the sun for their prosperity.
The significance of the festival can be acknowledged by the fact that it is the only festival also celebrated by Muslim communities in the region.
Similarly, the devotees are also seen celebrating Chhath in the major river banks and at the Ranipokhari in Kathmandu .
The devotees also observe a day-long fast. This festival is considered a symbol of cleanliness, devotion and cordial relationship and goodwill among people.
According to other scripture, the celebration is believed to have begun from the time of Dwapar Yuga (era), when the five Pandavs, while in exile in the forests, had worshipped the sun, asking for victory in the Mahabharat war.
Singing folk and devotional songs and offering prayers to the sun god also marks the day. The third day is especially significant for married women as they observe a two-day fast and offer prayers while keeping almost three-quarters of their body immersed in water for two hours.
The fourth day of the festival is called Paran or Parwan. The first day of the festival is called Arba Arbain or Nahan Khan. The second day is called the Kharana (meaning the reduction of sin).

Posted by Myself in 06:13:24 | Permalink | Comments (1) »

Friday, November 9, 2007

Sipahiki Swasni: Burden of tears

Gone are the days of master story tellers, in Nepali literature.
Now, it seems that the nre generation has given up all hope of earning a square meal by writing. But if one were to go by ‘Sipahiki Swasni’, a short-story book by a young aspiring writer, Mahesh Bikram Shah, one can still be hopeful fo the future for Nepali stries.
There are still some young writers, who, apart from their daily busy lives, take time to contribute for the literature. The small contribution made by these youngesters will definately pave a new horizon for the future of nepali literature.
‘Sipahiki Swasni’ is the third in the series of Mahesh Bikram Shah’s publications, where the writer has chosen to portray characters from various walks of life; from Thawang village of far-western Nepal to Esat Timor. All these characters, it seems, are around us and among us. Going through all 18 stories in the book, one would be surprised at how all his characters are victims of tragedy: Either by maoists or by their masters or by their fate.
The writer is successful in vivid description of their agony, their sentiments and the relationships they share. The descriptions seem real, if not imaginative because he has a lot of regional and local input in all of his stories. The dialects have added local flavour in the writing. Since he has lived in all parts of the world, he has chosen to describe in the book, they naturally seem realistic for his first hand experience.
The author seems to have developed a close affinity to all his characters. Among the 18 stories in the book, some are excellent like Khuma, Kamaro and Sipahiki Swasni, and some are up to the mark like Santrasta Manharu. the rest are fine. Though, it is difficult to categorise them, some of the stories are exceptionally realistic in description, others in language, yet others are full of emotional sentiments like in Kamaro, he presents a life of a slave.
He is successful in making ironical comparisions between the life of a dog and that of a slave, who sleep together to keep warm in chilly winter nights. But in some of the other stories, the reader might be amazed to find a simple character like sante, in Khola, speak in a philosophical note. It seems he is not an illiterat evillager but an educated man. Shah’s sentences are rich with metaphores. Sometimes he has experimented it successfully and somewhere it looks like he has failed.
Mohan Raj Sharma, a noted Nepali literary critic writes in the preface of Sipahiki Swasni, “This book is worth mentioning for its use of language in Nepali literature and contribution in the art of Nepali story telling.” Mornign shows the day and Shah proves his mettle.
——
Book: Sipahiki Swasni
Author: Mahesh Bikram Shah
Publisher: Bagar Foundation Nepal
Page:127
Price: Rs 150 (paperback)
(Published in The Himalayan Times of December 22, 2002.)
Posted by Myself in 05:47:12 | Permalink | Comments (1) »

Saturday, November 3, 2007

Tihar: Bhai Tika, celebrating sister-and brotherhood

YamaRaj - the God of Death is praised:

O brother of yamuna, Dharmaraj I bow to you. Oh son of the sun! Protect me. You are kind to the honest and feared by the dishonest. You diminish the proud. You’re the death of death. I bow to thee!

Though I have committed many sins I am your devotee. So, forgive me.

The Kartik sukla Dwitiya is celebrated as the auspicious day of Bhai Tika wishing all the brothers a happy, healthy and prosperous life.

The worshipping of crows, Dogs, Cow, Yamaraj and Laxmi in Tihar is a metaphorical representation but the worshipping Brothers is one of the practical aspect of social harmony preached by the Hindu philosophy.

On this day sisters worship their brothers by putting five-colour Tika on their forehead and garlanding them with velvet flowers, wishing them longevity and good health.

Once a sister was worshipping her brother. But yamaraj came to take him cause his life was at the end. The sister prayed Yamaraj and asked him for a boon to grant the life of her brother till the oil on the ground of the puja Mandap the velvet garland and the pimple – a fruit dries and the water washes walnut. Yamaraj granted all the wishes and the brother got the longevity.

Till date velvet flower garland, pimple fruit, and walnuts are offered to the brothers along with various fruits and delicious sweets and Sel – a special sweet made for Tihar. Brothers offer presents in return.

Brothers, who have no sister and sisters, who have no brothers visit the Mahadev temple in the middle of Ranipokhari pond, in Kathmandu this day.

The worshipping of yamaraj – the God of death reminds all that one who is born has to die. One should not forget invincible death.

People worship Laxmi cause without money one cannot live a comfortable life.

And Mha-puja - the Self is worshipped as God - Aham Brahmhasmi.

In the social interpretation Bhai Tika symbolises sister and brotherhood.

Practical and the spiritual blends are deeply rooted in our society. Each of our festivals has spiritul, traditional and culture values.

Posted by Myself in 06:12:33 | Permalink | Comments (1) »